Searching for Crabs

The next story for our Saturday practice group is about a father and son, providing a warm narrative that frames the transmission of knowledge from one generation to the next. This will be one of the longer pieces that we’ve used for our group, and for good reason: we get to see both a small slice of the life led by the father-son pair as well as several sets of instructions that detail the fabrication and use of various types of traps and other implements for gathering crabs under different conditions. And on a more personal note, our friend Dabit will be facilitating several Saturday practice sessions in our stead while we take some time for a loss in our family.

As ever, in this post you’ll find the Chamorro text, an English translation, and an audio narration by Jay Che’le. Footnotes to follow. Happy reading!

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Kåntan Chamoru: Suetti Hao

Last week our friend Alicia won the vote to choose our song for Praktikan Pupuengi, and she chose this one from the Guam Sirenas. It is so fun, cute and high-energy, with the singer is declaring who she is choosing to be her sweetheart (and she makes it very clear that she did have options!). The quick, clipped pace of this song, combined with some challenging sound quality, meant this one took longer than usual for our group to transcribe. There was even one little phrase that gave us trouble, and we’re still not 100% certain we got it right. But we made it through, and honestly, we had such a great time along the way.

As always, this post includes Chamorro lyrics and an English translation for Suetti Hao by the Guam Sirenas. Happy listening!

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What’s the Deal with “Hit” in Chamorro? – When Colloquial Speech Doesn’t Follow the Rules

Prefer to listen? Hear this essay narrated below on Spotify:

When I started learning Chamorro, I quickly realized that knowing the literal meaning of words did not guarantee that I would understand what was actually being communicated. One of the phrases that taught me this was Ågang hit – which I first heard in conversation with an aunty or uncle. They were saying “Call me”, but with hit (“us”) instead of yu’ (“me”). At the time it really confused me because it didn’t match the grammar rules I was taught. But now, with five additional years of language exposure and a revelation from a certain British baking show, I understand this Chamorro speech pattern in a different way. In this post, I’m going to explore this phenomenon in spoken Chamorro – when hit is switched for yu’ – and how I’ve come to a new understanding of its function in the language.

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Everyday Speech: How to Say “Our Neighbor Totoro” in Chamorro

Sometimes when we talk about the people in our lives, we want to mention both their name and our relationship to them—like “My nephew Lathan” or “Our neighbor Totoro.” In Chamorro, there’s a specific way to express these kinds of phrases using the article as. In this post, we’ll practice this simple pattern that adds a subtle depth to everyday conversation. As always, you’ll find example sentences, English translations, and Chamorro audio narrations by Jay Che’le to guide your learning. Happy studying!

(Image Note: This is a Totoro-inspired AI illustration, generated for educational/non-commercial use on this blog).

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Kåntan Chamoru: Ti Bai Maleffa

Jay had to cancel his evening practice group at the last minute this past weekend, so there’s no new song for this week. But this is another song from our backlog, which Jay’s Saturday evening group transcribed back in May. It’s on the slightly faster side, with the singer declaring to his spouse that he will never forget their wedding day. As always, this post includes Chamorro lyrics, an English translation and language notes for the song Ti Bai Maleffa sung by Daniel De Leon Guerrero. Happy listening!

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